关键词：Hanns Walter Kornblum  Margarete Schön Theodor Loos Paul Bildt Margarethe Schlegel Oscar Marion Willy Kaiser-Heyl 
感谢您收看《造物的奇迹》!爱歪歪电影是您看电影看电视剧的休闲好地方,爱歪歪电影提供造物的奇迹高清免费在线观看,提供剧情介绍,分集剧情查看及角色分析等,是电影,追剧爱好者的观影天堂！若您要观看高清版，建议使用《造物的奇迹》蓝光资源，若网速较差，可用在线观看的资源。我们一直致力于提供最新最好看的电影电视剧。若观看《造物的奇迹》全集有什么问题，欢迎您反馈给我们。
《造物的奇迹》上映于1925(其它) ,是一部其它制片作品, 由Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl等领衔主演. 影片(剧)风格类型为科幻 ，对白语言为其它。
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爱歪歪电影分有动作片,喜剧片,爱情片,科幻片,恐怖片,剧情片,战争片,综艺片,动漫片,大陆剧,港台剧,欧美剧,日韩剧。 每日好看的电影电视剧更新量上百部。覆盖几乎所有最新电影电视剧。欢迎您观看《造物的奇迹》 ,感谢您一直以来的支持！请记住我们的网址：iyydy.com 　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.  展开全部