关键词：米切尔·莱森  弗雷德里克·马奇 伊夫琳·维纳布尔 盖伊·斯坦丁 凯瑟琳·亚历山大 吉尔·帕特里克 凯瑟琳·霍华德 肯特·泰勒 亨利·崔佛斯 G·P·亨特利 莫洛尼·奥尔森 赫克托·萨尔诺 菲利普斯·斯莫利 Helen Westley Anna De Linsky Otto Hoffman Frank Yaconelli 
感谢您收看《死神假期》!爱歪歪电影是您看电影看电视剧的休闲好地方,爱歪歪电影提供死神假期高清免费在线观看,提供剧情介绍,分集剧情查看及角色分析等,是电影,追剧爱好者的观影天堂！若您要观看高清版，建议使用《死神假期》蓝光资源，若网速较差，可用在线观看的资源。我们一直致力于提供最新最好看的电影电视剧。若观看《死神假期》全集有什么问题，欢迎您反馈给我们。
《死神假期》上映于1934(美国) ,是一部美国制片作品, 由弗雷德里克·马奇,伊夫琳·维纳布尔,盖伊·斯坦丁,凯瑟琳·亚历山大,吉尔·帕特里克,凯瑟琳·霍华德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奥尔森,赫克托·萨尔诺,菲利普斯·斯莫利,Helen Westley,Anna De Linsky,Otto Hoffman,Frank Yaconelli等领衔主演. 影片(剧)风格类型为爱情 ，对白语言为英语。
爱歪歪电影不参与《死神假期》的影视资源制作、录制、上传与存储，当前播放线路分别由云播资源网采集。有关《死神假期》的后续高清完整版本资源会陆续放出，敬请关注。
如果您喜欢爱歪歪电影最新大片抢先看_免费追剧大全_手机电影网(ysdtv.com)欢迎分享给身边的朋友，祝您观影愉快！
爱歪歪电影分有动作片,喜剧片,爱情片,科幻片,恐怖片,剧情片,战争片,综艺片,动漫片,大陆剧,港台剧,欧美剧,日韩剧。 每日好看的电影电视剧更新量上百部。覆盖几乎所有最新电影电视剧。欢迎您观看《死神假期》 ,感谢您一直以来的支持！请记住我们的网址：iyydy.com 　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake: Death Takes A Holiday (1971)  展开全部