关键词：让-马里·斯特劳布 达尼埃尔·于伊耶  Heinrich Hargesheimer Carlheinz Hargesheimer Martha Staendner 达尼埃尔·于伊耶 Henning Harmssen Ulrich Hopmann Joachim Weiler Eva-Maria Bold Hiltraud Wegener Ulrich von Thüna Ernst Kutzinski Karl Bodenschatz Heiner Braun Georg Zander Lutz Grubnau 若阿内斯·巴尔斯基 保罗·埃塞尔 
感谢您收看《没有和解》!爱歪歪电影是您看电影看电视剧的休闲好地方,爱歪歪电影提供没有和解高清免费在线观看,提供剧情介绍,分集剧情查看及角色分析等,是电影,追剧爱好者的观影天堂！若您要观看高清版，建议使用《没有和解》蓝光资源，若网速较差，可用在线观看的资源。我们一直致力于提供最新最好看的电影电视剧。若观看《没有和解》全集有什么问题，欢迎您反馈给我们。
《没有和解》上映于1965(其它) ,是一部其它制片作品, 由Heinrich Hargesheimer,Carlheinz Hargesheimer,Martha Staendner,达尼埃尔·于伊耶,Henning Harmssen,Ulrich Hopmann,Joachim Weiler,Eva-Maria Bold,Hiltraud Wegener,Ulrich von Thüna,Ernst Kutzinski,Karl Bodenschatz,Heiner Braun,Georg Zander,Lutz Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔等领衔主演. 影片(剧)风格类型为剧情 ，对白语言为其它。
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爱歪歪电影分有动作片,喜剧片,爱情片,科幻片,恐怖片,剧情片,战争片,综艺片,动漫片,大陆剧,港台剧,欧美剧,日韩剧。 每日好看的电影电视剧更新量上百部。覆盖几乎所有最新电影电视剧。欢迎您观看《没有和解》 ,感谢您一直以来的支持！请记住我们的网址：iyydy.com 　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.  展开全部