拉莉萨

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地区: 其它 

年代: 1980 

语言: 其它

类型:剧情 

导演:依莱姆·克里莫夫 

演员:依莱姆·克里莫夫 Valentin Rasputin Stefaniya Stanyuta 

简介:  A loving film tribute to Russian filmmaker Larisa Shep 详细 >

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《拉莉萨》详情介绍 HD国语 播放地址

关键词:依莱姆·克里莫夫  依莱姆·克里莫夫 Valentin Rasputin Stefaniya Stanyuta 
感谢您收看《拉莉萨》!爱歪歪电影是您看电影看电视剧的休闲好地方,爱歪歪电影提供拉莉萨高清免费在线观看,提供剧情介绍,分集剧情查看及角色分析等,是电影,追剧爱好者的观影天堂!若您要观看高清版,建议使用《拉莉萨》蓝光资源,若网速较差,可用在线观看的资源。我们一直致力于提供最新最好看的电影电视剧。若观看《拉莉萨》全集有什么问题,欢迎您反馈给我们。
《拉莉萨》上映于1980(其它) ,是一部其它制片作品, 由依莱姆·克里莫夫,Valentin Rasputin,Stefaniya Stanyuta等领衔主演. 影片(剧)风格类型为剧情 ,对白语言为其它。
爱歪歪电影不参与《拉莉萨》的影视资源制作、录制、上传与存储,当前播放线路分别由云播资源网采集。有关《拉莉萨》的后续高清完整版本资源会陆续放出,敬请关注。
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爱歪歪电影分有动作片,喜剧片,爱情片,科幻片,恐怖片,剧情片,战争片,综艺片,动漫片,大陆剧,港台剧,欧美剧,日韩剧。 每日好看的电影电视剧更新量上百部。覆盖几乎所有最新电影电视剧。欢迎您观看《拉莉萨》 ,感谢您一直以来的支持!请记住我们的网址:iyydy.com   A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.  展开全部
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